Seven Moments Screenplay Analysis

 

Everything can be measured, including movies.

 

There are two things I can do for your screenplay:

  1. I can analyze an existing movie (one that you want to pattern your screenplay after) and provide a detailed breakdown of the movie and how it delivers information to the viewer. Let's say you want to write a screenplay with a story that flows similar to L.A. Confidential. I can dissect the movie and create a blueprint for organizing your story with similar pacing. I can analyze any film as long as it's available on DVD or Blue-ray or streaming and is no more than 100 minutes long. I can do this for $750. Keep in mind I will retain the rights to the blueprint itself and you will simply get a PDF copy of it for your own use.
  2. If you already have a screenplay and you're wanting to polish it up or you simply want another opinion before you start spending tens of thousands of dollars in production, I can provide my unique in-depth analysis along with a detailed breakdown (see below).

Screenplay Analysis

$3,500

(775) 39l-l42l

 

I can analyze your screenplay and provide detailed feedback. Turn around time is 7 to 10 business days (or longer, depending on my schedule). Price is $3,500 for a screenplay up to 120 pages. My input is geared towards a production company that is about to take a screenplay into production (or possibly an actor trying to discern which screenplay to move forward with).


Before reaching out to me for a possible script analysis, please read The Seven Moments in Storytelling. Once you have an idea on how I approach story analysis, we can talk. And if you want take it a step further and read a sample of how the Seven Moments work in action, read either of the two books listed to the right: The Death of Frank and Nora Riley or 13 Character Backstories. Both are deliberately crafted using the Seven Moments.

_______________________
 

I'm an analyst through and through. I love breaking down success of any kind and then developing a system in order to repeat the result. It's not just success that I analyze, it's almost every situation and every person I encounter. I can't help myself. I walk into a room and my mind starts analyzing and categorizing people, their behavior and even the objects in the room. The closest I can come to describing how my mind strips apart situations and rebuilds them on a constant basis is Harold Crick in Stranger than Fiction. When I first saw that movie, I was like holy shit that's how my mind works! While Harold simply measured everything in sight and didn't do anything with the data, my imagination reorganizes everything, trying to find the optimum layout/condition and will even start timing intervals between random events.  

 

I've studied thousands of movies. I know what excites an audience and what puts an audience to sleep.

 

Please note: I do not provide cover. You can buy cover from hundreds of different online sources for a relatively inexpensive price. The analysis I provide can only be performed by me or by someone who has thoroughly studied the Seven Moments.

 

Production companies: If you have multiple screenplays to choose from, I can help you decide which one is worth your time and money. If you're already moving forward with a particular script, I can definitely help you improve it.

 

Actors: If you're a working actor and you have multiple screenplays to choose from, I can analyze each script and help you choose the one that's going to help your career and not hurt it. I can help you decide which script is worthy of your best efforts.

 

I will do the following for your screenplay:

  • List the weakest scenes (and I'll explain why)
  • List the strongest scenes
  • Expose weak dialogue
  • Expose irrelevant information and/or unnecessary character details
  • Expose storyline inconsistencies
  • Provide storyline suggestions (my suggestions will become your property; no crediting necessary)
In addition to the above items, I will also:
  • Recommend scenes that should be eliminated altogether (and explain why)
  • Provide suggestions on how you can strengthen individual scenes
  • Provide suggestions on how you can strengthen your overall story
My analysis is based on how often the Seven Moments occur within your screenplay and how tightly related they are to each other and to the story. The typical "three act structure" is a nice concept but I don't believe it's nearly as important as the Seven Moments. After all, practically every screenplay that gets produced today follows the traditional three-act structure but only a small percentage are financially successful.
 

If you would like to learn more about the Seven Moments, please read The Seven Moments in Storytelling that Really Matter. You can purchase the book on Amazon and view it through your Kindle device or your Kindle viewing software.

 

My Movie List

 

Here is a list of movies I can watch over and over again without growing tired of them. You'll notice there aren't too many recent films. In my humble opinion, despite the wealth of storytelling and movie-making knowledge available, today's movies are subpar compared to older films. Modern films seem to be focused on reconditioning the audience rather than telling an interesting story, and the moment I sense any sort of brainwashing attempt when watching a movie, I turn it off. Modern filmmakers are so hell bent on rewriting the human condition that I rarely watch a newish movie. It has to be highly recommended in order for me to invest time into watching it, and even then I have a short fuse when it comes to nonsensical viewpoints on humanity.

 

You'll also notice there's only one television series on the list. Although I've watched a few from start to finish in my lifetime, I generally avoid television shows.

  • American Gangster
  • L.A. Confidential
  • The Prestige
  • Payback (theatrical version)
  • The Bourne Identity
  • The Terminator
  • Alien
  • Aliens
  • Predator
  • Bladerunner
  • Watchmen
  • Tell No One
  • Amelie
  • Anthony Zimmer
  • The Horseman on the Roof
  • Apocalypse Now
  • The Sting
  • For a Few Dollars More
  • The Red Violin
  • Crimson Tide
  • Get Shorty
  • Blue Jasmine
  • The Blacksmith and the Devil (Errementari)
  • Pan's Labyrinth
  • The Ninth Gate
  • American Beauty
  • Monsters, Inc.
  • Bram Stoker's Dracula
  • Constantine
  • Once Upon a Time in the West
  • Training Day
  • The Lord of the Rings (trilogy)
  • The Great Escape
  • The World's Fastest Indian
  • Up in the Air
  • While You Were Sleeping
  • Dead Man
  • Unforgiven
  • The Usual Suspects
  • Se7en
  • Northern Exposure (TV series)
  • Beauty and the Beast
  • Master and Commander: The Far Side of the World
  • Knives Out
  • The Dark Valley
  • The Insider
  • Grumpy Old Men
  • Ronin
  • Crash
  • Michael Clayton
  • The Best Offer
  • Jean de Florette
  • The Thing
  • Snatch
  • Chocolat

With a few exceptions, the movies on my list are fast paced. Information is dealt to the viewer at a rapid clip through visual action while dialogue is used as a secondary means to further the story. Dialogue-heavy films are difficult for me to sit through (such as anything by Tarantino - any of his films could have 40%+ dialogue stripped from them and they would tell a tighter, more enjoyable story). Film is (obviously) a visual medium. With that in mind, I believe the story should be told visually because nobody pays premium admission for stadium seating in order to sit and listen to an audio book. 

 

I appreciate visually stunning films. A few on the above list that I highly recommend are The Dark Valley, Watchmen, Bladerunner, Apocalypse Now, Master and Commander, Dracula, Jean de Florette and Once Upon a Time in the West. The Dark Valley is one of those rare films that kept me uncomfortable from beginning to end. Because I live where extreme weather conditions are the norm, the reinforcement of cold weather living in every scene really hit home with me.

the seven moments in storytelling by christian blake

the seven moments in storytelling - reinforcement by christian blake

the death of frank and nora riley written by christian blake

one minute stories for kids and adults! written by christian blake

13 character backstories written by christian blake